31/03/2012
30/03/2012
Trời ơi
"Trên cao đám sao sao xà
Bao giấc mơ hoang đường
Bao trái tim mơ mộng ngủ say
Nơi đây ít vui hơn buồn
Ta khát chung câu cười
Son phấn thay cho lời điu hiu.
...
Em nay biết yêu hoang tàng
Nay biết yêu hoang đường
Nay biết yêu sao trời mộng mơ
Em nay muốn dâng tim đầy
Nay muốn khoe ngu khờ
Nay muốn vui hơn buồn
Trời ơi , lạy Ông. "
(Lê Cát Trọng Lý)
28/03/2012
" Staring at his cleft moon for seventy-six minutes, i begin to understand its abstraction: high-contrast lighting conscripts the ass into being a figure for whiteness itself, particularly when the ass merges with the blank leader at each reel's end. The buttocks, seen in isolation, seem explicitly double: two cheeks, divided in the center by a dark line. The bottom's double structure suggests another, anatomical, abject way to read the double in Warhol's work: as a representation or displacement of the butt's two cheeks, or of any bodily bifurcation (testicles, vaginas, breasts). Taylor himself was Andy's double - a man with the knack of over-turning stigma through outrageous pantomine. "
" Home was where he glued himself back together: he used the word glued to describe his process of self-repair, which involved literally gluing the wig to his pate. "
" Home was where he glued himself back together: he used the word glued to describe his process of self-repair, which involved literally gluing the wig to his pate. "
[Wayne Koestenbaum on Warhol]
27/03/2012
i bought ' Only Yesterday ' about 2 years ago. charming, pleasant and sensible portraiture of a 27-year-old female character and her observation with life, nostalgic childhood and the love for countryside.
not that i'm particularly in a pastel mood l a t e l y let alone the fact that everything-pastellised is the current - everywhere - trend, i have always been drawn to minimal style (those who know me, know that well) and gentle, pastel-y hues -- clothing, colours, collectibles -- things that need no frills and fancies to make them sound. the colours/ styles/ observation and narration of this classic Studio Ghibli, for me, is timeless. when i watch the ''making of'' feature, i was amazed at such modern minimal, effortless and stylistic animating vision was portrayed in 1990.
it reminds me of how-what-why i'm made of -- like what i am now, today .
it might not be a thing for adventure-driven minds. funny how these days i just keep turning this on for hours, while drawing my projects and humming with the Japanese folky background tunes.
21/03/2012
19/03/2012
17/03/2012
13/03/2012
12/03/2012
10/03/2012
có những lúc chẳng biết phải làm gì nữa
đi tiếp thế nào
rẽ ở đâu
? ! ?
quặt/ băng/ quẹo ?
đường tắt/ lối mòn/ ngõ cụt ?
xa tít tắp. . .
-
đầu thì đau
chân tay thì lỏng lẻo
nhòe nhoẹt
đâu còn là trẻ con nữa!
-
đừng là đám mây đen.
làm tia nắng mảnh,
hay là gợn sóng,
gợn gió
vẫn hơn,
mang niềm vui cho người.
06/03/2012
05/03/2012
04/03/2012
I hope to be able to visit this Vence (Matisse) Chapel one day. All the vibrancy of life.
nothing compatible to describe it. One day.
(pictures are courtesy of this)
Matisse! Matisse!
colours ! forms ! matisse !
i remember clearly how much i was mesmerised looking at Matisse's painting photos when i was in primary shcool, joining my aunt's drawing class for kids.
and now, more than just mesmerising.
Subscribe to:
Posts (Atom)